Lee Patterson.
The Return to Philology in
The Past and Future of Medieval Studies (John van Engen ed.) University of Notre Dame Press (1994).
I want to suggest, in other words, that the uselessness of philology —its indefensible unjustifiability— scandalizes contemporary literary studies because it represents its own greatest fear: that the whole enterprise cannot be justified in terms of social effectiveness. If social transformation is our goal, then is teaching Toni Morrison really more effective than teaching Chaucer, especially when compared with a direct involvement with social problems? It is my own hunch that direct social activism is probably of more importance than most of the things we do in our classrooms and certainly than all of the things we do in our studies. Is it not possible, in other words, that the institutional neglect of medieval studies derives in some measure from a guilty conscience? That the medievalist is an awkward reminder that the social changes so many support and desire will require something other than intellectual work?
If these are unpersuasive words coming from a medievalist, let me cite a more acceptable source. "As writers, teachers, or intellectuals, " writes Henry Louis Gates,
Most of us would like to claim greater efficacy for our labors than we're entitled to. These days, literary criticism likes to think of itself as "war by other means." But it should start to wonder: Have its victories come too easily? The recent turn toward politics and history in literary studies has turned the analysis of texts into a marionette theater of the political, to which we bring all the passions of our real-word commitments. And that's why it is sometimes necessary to remind ourselves of the distance from the classroom to the streets. Academic critics write essays, "readings" of literary, where the bad guys (for example, racism or patriarchy) lose, where the forces of oppression are subverted by the boundless powers of irony and allegory that no prison can contain, and we glow with hard-won triumph. We pay homage to the marginalized and demonized, and it feels almost like we've righted a real-world injustice. I always think about the folktale about the fellow who killed seven with one blow.
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